“A little bundle of time”: Werner Rolevinck’s epic chronicle of the world, 1474

The Fasciculus temporum is an epic chronicle of ecclesiastical and world history, beginning with the biblical account of Creation up to events of the 15th century, such as the invention of printing. As well as being a bestseller in its day, the chronicle is an innovative example of early printing and represents one of the first examples of a writer working closely with a printer to ensure their intentions are carried out. The author in question, Werner Rolevinck (1425-1502), was born near Laer in Westphalia, Germany, the son of a prosperous farmer. He was probably educated in Cologne and in 1447 entered the Carthusian monastery of St. Barbara where he remained until his death. In his years at St Barbara’s, Rolevinck (or Rolewinck) produced more than 50 works, mainly theological and devotional in nature, but he is best known for the Fasciculus temporum, the title of which is commonly translated as “A little bundle of time”.

First printed in Cologne in 1474 and one of the first books by a living author to be published, the Fasciculus temporum became enormously popular and was reprinted in numerous editions and translations, including close to 40 editions during the author’s lifetime. It greatly influenced the major world chronicles that followed, including Hartmann Schedel’s famous Liber cronicarum (“Nuremberg chronicle”), first published by Anton Koberger in 1493.

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Woodcut of the Tower of Babel from the 1476 edition, also showing manuscript waste used as endpapers on the Lambeth copy ([ZZ]1476.2)
Lambeth Palace Library holds copies of two later editions of Rolevinck’s chronicle, the first printed in Louvain by Johnann Veldener in 1476 and the other published in Cologne around 1483. The former ([ZZ]1476.2) bears the arms of John Whitgift, Archbishop of Canterbury, on the binding and has leaves from a medieval manuscript as endpapers. The 1483 copy ([ZZ]1500.6.01) is described in the catalogues of the libraries of both Whitgift and Archbishop Richard Bancroft, who purchased Archbishop Whitgift’s books after his death. These editions corrected the errors that slipped into the printing of the first in 1474.

The Fasciculus temporum is an innovative work in several ways, not least in making a significant contribution to the organisation and presentation of historical information on the printed page. More than any previous writer before him, Rolevinck employed the layout of the page to structure his chronicle. The arrangement is complex, presenting unique challenges to the printer by using lines, shapes, images and text to convey the flow of time horizontally across the page. Rolevinck designed his book with two parallel timelines running continuously as the pages are turned, one running from the date of the creation of the world (established as 5199 B.C.) and the other beginning with the birth of Christ. This display allows the reader to compare important historical events with the key events of Christianity; the upper page is devoted to biblical and ecclesiastical history, while the lower part of the page covers secular events, including Classical mythology. A woodcut strip running across the centre of each page is separated from the rest of the text above and below by two sets of lines. Placed inside this band are circles containing the names of popes, saints, classical writers, and legendary figures from the Old Testament.

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Woodcut timeline with text above and below in the Cardiff University copy of the 1474 edition.

The text provides some of the earliest evidence of collaboration between author and printer in the design of printed books. In the colophon of first edition, printer Arnold Ther Hoernen (d.1483 or 1484) states that he is working from a manuscript provided by Rolevinck himself, “following the first exemplar which this venerable author himself wrote by hand completely.” It seems likely that the original manuscript also provided a layout for the printer to follow; Ther Hoernen had to be particularly skilled to replicate this design successfully and the numerous errors which had to be fixed in later editions demonstrate just how difficult a task this turned out to be!

Like many incunabula, the Fasciculus temporum is illustrated with a small number of woodcuts, some of which appear more than once – for example, a woodcut of an anonymous city on fire is used to represent the burning of Troy as well as the destruction of Sodom and Gomorrah. There are, however, unique and particularly nice illustrations for Noah’s Ark and the Tower of Babel, Several different woodcuts are employed to illustrate the second half of the book, which is full of references to signs and omens such as earthquakes, monstrous births, and the appearance of comets and eclipses.

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Woodcuts of Noah’s Ark and a rainbow on [a3v] of the 1476 edition. The text was rubricated by hand in red ink after printing following the earlier manuscript tradition ([ZZ]1476.2)
Rolevinck’s timeline takes us right up to his own lifetime with the papacy of Sixtus IV (1471-1484) and highlights the invention of printing and the emerging mass availability of books. Rolevinck first shares his thoughts on book collecting while describing the Library of Alexandria: “From this it is clear what great diligence ancient times showed in collecting books. Let those blush for shame who do not acquire a good supply of books when it can be done, of course, by small cost.” Rolevinck’s belief is that the rise of printing has finally made the noble goal of collecting books available to everyone:

“[Printing is] the art of arts, the science of sciences [which will] enrich and illuminate this world in its evil state. The unlimited virtue of books … is now spread by this discovery to every tribe, people, nation, and language everywhere …”

As one of the first true bestsellers, the Fasciculus temporum certainly played its part in bringing the ‘unlimited virtue of books’ to a wider audience than ever before.

Bibliography

Matthew S. Champion. The fullness of time: Temporalities of the fifteenth-century Low Countries. University of Chicago Press, 2017.

“Fasciculus temporum”. Open book: News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah. Accessed 28 July, 2020. https://openbook.lib.utah.edu/book-of-the-week-fasciculus-temporum/

L. C. Ward. “Authors and authority: The influence of Jean Gerson and the “Devotio moderna” on the Fasciculus temporum of Werner Rolevinck”, in: Die Kartäuser und ihre Welt. Kontakte und gegenseitige Einflüsse, I (Analecta Cartusiana, 62), 1993, pp. 171-188

Mark A. Lotito. The reformation of historical thought. Leiden: Brill, 2019.

Virginia Moscrip. “Werner Rolevinck’s Fasciculus temporum”. University of Rochester Library Bulletin, Vol. IX, No. 3, Spring 1954. Accessed 28 July, 2020. https://rbscp.lib.rochester.edu/3422

‘Faith seeking understanding’: Finding Saint Anselm at Lambeth Palace Library

Today marks the launch of the second year of The Community of Saint Anselm, a community of prayer, theological reflection and service, based at Lambeth Palace and established by Archbishop Justin Welby for Christians aged 20-35. The Community draws its name from Saint Anselm of Canterbury – a Benedictine monk, renowned scholar and Archbishop of Canterbury from 1093 to 1114.  Standing out in history as a teacher, philosopher and theologian (Vaughn, 2012), Anselm expounded the close relationship between knowledge of God and love of God, encapsulated in his motto, ‘faith seeking understanding’.  It is therefore fitting that his prayers, letters and theological texts find a home among the manuscripts and earliest of printed books treasured in the Library of Lambeth Palace.

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Arms of Archbishop Anselm, from MS 555 f.4

Anselm himself was committed to monastic life and learning.  Despite being turned away when he first sought to become a monk at the age of 15, he went on to become an influential Prior and Abbot of Bec monastery in France, where he taught the monks and wrote a number of works that gained him a reputation for deploying reason to understand faith, and developing the ontological argument for the existence of God (Shannon, 1999). These works can be found in a number of manuscripts held at Lambeth Palace Library, dating from the 12th to 15th century.  The earliest of these is a manuscript compilation of Anselm’s treatises and a collection of his letters, compiled and copied in the 1120s by historian and monk, William of Malmesbury (MS 224).

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MS 224 f.152r, with headline and numbers added in red by Archbishop Parker

When asked to become Archbishop of Canterbury in 1093, Anselm saw it as his duty to lead the church in moral and doctrinal teaching, and to continue to develop his own understanding alongside that of his monks at Christ Church Canterbury (Shannon, 1999). It was here that the second earliest volume of Anselm’s work held at the Library was made, in the late 1120s: a major collection of letters that remained at the Cathedral Priory until the Dissolution (MS 59). 

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MS 59 f.64

Along with several of the Anselm manuscripts in the Library today, both of these volumes feature in Archbishop Abbott’s catalogue of Archbishop Bancroft’s personal library, the founding collection of Lambeth Palace Library in 1610.  They also bear the classmarks of Cambridge University, where they would be preserved during the Commonwealth occupation of Lambeth Palace.  A list of contents written in the hand of Archbishop Sancroft in both volumes shows the care afforded to them on their return to Lambeth, while headlines added in MS 224 by Matthew Parker, Archbishop to Elizabeth I, and annotations in MS 59 believed to indicate Thomas Cranmer’s ownership (Selwyn, 1996), demonstrate that these volumes had long been the subject of close attention by earlier Archbishops. One annotator’s references to ‘alius liber epistolarum’ in MS 224 suggest that these volumes may even have been studied side by side.  Further enforcing the long-standing esteem in which Anselm’s works were held, these works can also be found adorned within presentation volumes, such as a fine late 14th or early 15th century illuminated copy of his meditations copied alongside work from Bernard of Clairvaux and undoubtedly prepared for a dignitary (MS 194).

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MS 194 f.1

Thomas Becket requested Anselm’s canonization in 1163, shortly after his own appointment as Archbishop, and a copy of the Bull of Pope Alexander III responding to this request can be found in Lambeth’s collections (MS 159 f.76v). It lies within a volume of Saints’ Lives, bound for Archbishop Sancroft, which also contains a Life and Miracles of Anselm written by his chaplain and secretary, Eadmer of Canterbury, as well as the only known copy of Anselm’s Life written by John of Salisbury, Bishop of Chartres, on Thomas Becket’s request. The presence of a second bull regarding his canonization, however, listed within Archbishop Morton’s Register for 1494, suggests that he may not actually have been canonized until three centuries later (Reg. Morton 1, f.220).

The path did not run straight for Anselm, however, and the earliest archival item in the Library’s collections to make reference to him evidences the more troubled aspects of Anselm’s career. Thought to date from 1100, the document is a notice from King Henry I in Latin and English, confirming the ownership of Anselm and the Canterbury monks of all the lands that they held in the time of King Edward and King William I (CM/XI/1).  This marked the return of lands confiscated by William II after Archbishop Lanfranc’s death, which were temporarily given back as a condition of Anselm’s acceptance of the Archbishopric, but seized again in 1095 as part of the long-running Investiture Controversy over whether the King or Pope had primary authority to invest ecclesiastical symbols of office. Even after this notice, the Controversy continued and, having already spent five years of his office in exile in 1095-1100, Anselm was exiled again from 1103-1106, until the dispute was settled at the Synod of Westminster in 1107 (Kemp, [n.d.]).

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CM/XI/I

It was during the earlier of these periods of exile during his tenure as Archbishop that Anselm completed what is often considered his greatest work, Cur Deus homo (“Why God was man”). This is the text printed in the earliest of 7 incunabula containing Anselm’s work held in Lambeth’s collection. Printed between 1474 and 1500 in the continental printing centres of Strasbourg, Passau, Nuremberg and Basel, they illustrate Anselm’s ongoing influence.  This first printed edition of Cur Deus homo is believed to have been printed in 1474 in Strasbourg by George Husner (F220.A6 [**]). Demonstrating Anselm’s typically rational approach, it is formulated as a dialogue between Anselm and his student, Boso, and argues for the necessity of Jesus’ nature as fully human and fully divine in order to atone for mankind’s sin against an infinite God (Williams, 2016). This copy was purchased in 2002 by the Friends of Lambeth Palace Library.

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Cur Deus homo f.1r (F220.A6 [**], 1474)
This work features again amongst Lambeth’s incunabula, in an edition printed 11 years later in 1485 in Passau by Johann Petri (F220.A6 [**]).  Here it is bound with Anselm’s short narrative on the Passion of Christ, De planctu Marie, which again takes the form of a dialogue, this time between Anselm and the Virgin Mary, and aimed at a young audience. Bound with a copy of 5th-century priest Julianus Pomerius’ treatise, De vita contemplative, it still retains its original 15th century wooden boards and clasp, and was presented to the Library by the Friends in 2000.

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F220.A6 [**] (1485) manuscript pastedown and printed title page
The attention of eminent writers, scholars and theologians is evident in these incunabula.  Opera [et] tractatus beati Anselmi archiepiscopi cantuariēn ordinis Sancti Benedicti (1491), carries a donor inscription gifting the book to Archbishop Tait from R.C. Jenkins in 1869 ([ZZ]1491.2). This was most likely the theological writer Robert Charles Jenkins, rector of Lyminge with Paddlesworth in Kent, and a frequent correspondent with Tait.

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Donor inscription from Jenkins to Tait in [ZZ]1491.2, front pastedown
Significantly, one late 15th century edition of Anselm’s works ([ZZ]1500.7) has been signed by historian and martyrologist, John Foxe, who would later include Anselm’s history and letters in his Actes and Monuments. The copy retains its early 16th century blind-stamped binding by Nicholas Speirinck and, along with several of these incunabula, contains fine examples of manuscript waste used in the printed volume’s pastedowns. Its title handwritten on the fore-edge reminds us of the book’s history in libraries at one point shelved with the fore-edges displayed, while a second copy of this edition, transferred from Sion College Library, displays the staple marks of hasps from its previous residence in a chained library (L40.4/43). Sion’s copy also retains a contemporary blind-tooled calf binding with a dragon motif, listed on the animals roll as made in Cambridge.

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John Foxe’s inscription on the title page of [ZZ]1500.7
Anselm’s presence in the collections continues throughout the centuries, with further volumes of his works and studies on them dating from the 16th century through to the modern day.  As the second year of the Community of Saint Anselm gets underway, these volumes are further testimony to the influence of this faithful monastic theologian at Lambeth Palace and in Christian thought from the 11th century to today.

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Title page of D. Anselmi Cantuariensis archiepiscopi … in omnes sanctissimi Pauli apostoli epistolas enarrationes … printed in 1533 in Coloniae (E2649.(A6) [**])

Further reading and bibliography

  • Kemp, John Arthur, ‘Saint Anselm of Canterbury: Archbishop and philosopher, in Encyclopaedia Britannica (n.d.)
  • Selwyn, D.G., The Library of Thomas Cranmer (Oxford, 1996)
  • Shannon, William H., Anselm: the joy of faith (New York: Crossroad, 1999)
  • Sharpe, Richard, ‘Collecting Anselm’, in Lambeth Palace Library: treasures from the collection of the Archbishops of Canterbury, edited by Richard Palmer and Michelle P. Brown (London: Scala, 2010), pp.38-39
  • Vaughn, Sally N., Archbishop Anselm 1093-1109: Bec missionary, Canterbury Primate, Patriarch of another world (Farnham: Ashgate, 2012)
  • Williams, Thomas, ‘Saint Anselm‘, in The Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta (2016)